New Space
31.01.2012
This will be my last post on TNGH.
You can get to my new blog here. There is nothing there yet, but a critique of Irish liberalism inspired by Bernadette Devlin McAliskey ought to be finished and posted shortly.
I’m not sure whether this will autopost to my Twitter or not. I quit Twitter two weeks ago for mental health reasons and do not intend to return (nor would I be able to) but I had a “Post To Twitter” thing set up on WordPress that I don’t know how to disable.
Anyway, Gostbustere will be my new blog, and I will try to be more discerning in its upkeep than I have been with TNGH. I have also started a “minor” Tumblr account at http://dziekuje.tumblr.com which you may have some interest in, though its content might be more in line with my former Twitter account than anything posted here.
Thank you to everyone who has read, interacted with and linked to my work here; I appreciate your support very much.
Oisín
To Those I Follow On Twitter
04.01.2012
I have been on Twitter since August 2010. I was considering tweeting what I am about to write beneath on this blog, but I need to go into a certain amount of detail so I will sacrifice immediacy and convenience for the sake of saying what I want to say “properly”.
I have learned a lot since I joined Twitter and I have changed a lot as a person. For those positive changes, I feel I must thank the group of intelligent, thoughtful, funny and enlightening accounts (and the people behind them) I have followed. As un-self-aware as it seems to say as much, they have changed my life.
When I joined Twitter, I thought it was funny to joke about rape, mental illness, homosexuality, female inferiority, racial difference: “Otherness”, in general. I have since revised my ideas about humour, privilege and prejudice, and am ashamed of myself for having thought the way I did. I apologise sincerely for my immaturity, my lack of self-awareness, my privileged behaviour and, above all, my self-righteousness.
I do not want to go into excessive detail, for fear of embellishing or obscuring or detracting from the universality of my situation, and the changes which I have made in my life (which are visible through my Twitter account). If I were to look back at the 9,000+ tweets I have made from the beginning, I would probably feel like going back in time and killing myself, but I would also notice marked changes in the content of my tweets, perhaps getting worse before they eventually, recently, get better.
For those of you with whose accounts I have communicated with, argued with, laughed at, retweeted and been irrevocably changed by, I thank you from the bottom of my real heart. Namaste.
Grief
19.12.2011
I leafed through the newspaper again, more quickly this time, in search of the courtroom sketch which had indelibly soaked itself into my memory, a third-hand stain I was now trying to examine at the closest point to its source that I could. I had not been present in court. I had decided against spectating a process which, I felt, would only leave me confused – at least by the machinations of the justice system: the objections and approaching of benches and cross-examinations, if not by the matter at hand – and, at any rate, such was the profile of the case that the national media were obliged to impart the details to the public on a daily basis, myself included. It turned out, however, that putting myself at arm’s length from what seemed the rather unreal process of courtroom justice brought as much unrest as I had hoped it would save me in the first place. And where was that sketch? My fingers were greying with the ashy residue of yesterday’s events.
The sketch, as I remembered it, seemed to manipulate the space and arrangement of the courtroom which I had never seen to hold, in its two inch square frame, the judge, the defendant, the prosecutor and a row of spectators; among whom were a flawed but recognisable representation of the father of the deceased and, holding his hand, her mother: all facing towards the centre of the drawing in such a way as to suggest the existence of perhaps one square metre of floor-space in which the prosecutor, though for the purposes of the sketch without abdomen or legs, might pace and prod the floating bust in the stand, whose gaze seemed to be aimed at nowhere in particular, his head tilted at an angle acute enough that he might be able to look at the spectator, whose attention may now have been diverted to the actual text of the piece: _____ trial ongoing for murder of ____ ____, 19, through the corner of his eyes.
Lawnmowing
09.09.2011
The lawnmower jolts and tips slightly to the right on the wet grass and I twist the wheel left then right, the engine still propelling the great orange beast forwards with its front wheels locked and the steering mechanism broken, twisted metal jutting out in a compound fracture where the wheel meets the axle fuck fuck the engine automatically stops when I leave the seat and try to stick the two bits of metal together again, looking for a screw-thread or a bolt but the problem is manifest only in that it is clearly broken but not immediately fixable without a replacement or just a new mower fuck why not just throw this one out or wait and let the wetness of the grass soak into my shoes for a while
Workmen come an hour later to take away the lawnmower to be repaired and I don’t have anything to do while they laugh and kick the wheels left and right to steer it while pushing it up the grass and up the two planks three feet apart up into the trailer and laugh and I help but I don’t know what to say and wash my hands and walk back and it’s silent again and but for the quarter-mowed grass there may never have been a lawnmower and who can say who piloted the thing?
“Last week they were blue. By the weekend they were pink and blue, and then on Monday they had turned pink and decided to die.”
Text
29.07.2011
The whole of Dublin is ringing wet, dripping in a three-quarter-light as it hangs, pegged and cloudy, from calligraphic jet-stream washing lines and the sealion-head bobbing of the river intermittent through concrete shade
and I feel as though I have fallen in love with you all over again, anew.




